Sunday, January 3, 2010

Year of the Horse by Justin Allen

(cross posted here)

Year of the Horse’ takes some very familiar threads in young adult fiction –a young protagonist with a destiny he must fulfill, a quest for hidden treasure, a dangerous landscape peppered with formidable foes and unlikely allies- to weave an engrossing coming of age tale replete with both wisdom and edge-of-the-seat moments.

In a foreword to this rollicking tale, author Justin Allen gleefully alerts his young readers to the unpleasantness that lies ahead, not wanting to “.. begrudge (them).. the opportunity to engage the sometimes shocking realities of history”. Fair warning indeed, for the roller coaster ride this book offers its readers, young and old alike, across the untamed and dangerous landscape of North America in the years following the Civil War. The book spares no punches in its gritty, often brutal, account of one young Chinese American boy’s experiences on a hunt for treasure, guarded by forces more formidable than anything he could imagine. Allen deftly weaves folklore and fantasy into this adventure, that also goes on to make a powerful statement about what it means to be American (or, indeed, a member of any community) regardless of one’s colour or creed.

For fourteen year old Chinese American Tzu-lu (or Lu, as he is soon rechristened) it’s just another day, working at his homework in his grandfather’s shop in the little town of St Frances. But a few hours later, a strange visitor leads him away on an even more mysterious voyage that he feels ill-prepared for. This visitor is Jack Straw, a famed gunslinger, who quickly becomes Dumbledore to Lu’s timid Harry, Gandalf to his reluctant Frodo – the wise teacher and father figure who grooms Lu for the task he is destined for. They are also joined by a ragtag group of travelling companions with whom he must struggle to survive not just hostile Indians and murderous Mormon settlers, but also the unrelenting harshness of the continent they must cross on horseback.

The book scores on pace, and its evocative descriptions of the terrain the group journeys through. Also the increasingly grim circumstances the group must confront - a horse literally dissolves in a pool of acid ; an amorous Mormon preacher attacks them in a bid to abduct their lone female comrade; and death, when it finally catches up with them, takes its toll on the weary travellers. Racism is never far away either ; Lu and his friends are regularly taunted , their identity and ‘Americaness’ questioned . Allen tempers the harsh reality of these scenes with enough humour and suspense to keep the reader hooked.

This is a book full of finely etched characters, right from the protagonist and his companions to the people they meet along the way. Yet , some things struck me as unconvincing . Lu and his companions seem strangely compatible, despite their cultural and political differences. The outcome of the book hinges rather conveniently on a gift to Lu from one of the several mysterious strangers he meets through the course of the book, each more clued in on his journey and its purpose than most of his group. Are there greater forces at work here, helping to tilt the balance in favour of Lu and his friends – no one ever stops to consider this . Jack Straw never explains the true nature of their foe to his friends, and they never seek to question him either, until prodded gently by one of Lu’s acquaintances. When they do, Straw abruptly disappears, leaving them an ancient notebook to draw their conclusions from, so that they are greatly unprepared for what is to follow. And Lu, when he is finally told about the circumstaces surrounding his father’s death, seems strangely untouched, never once pausing to grieve, rage or even reflect upon it.

For all the issues I had with the book, 'Year of the Horse' is still a riveting read. It also redeems itself with a cracker of a showdown, a very satisfying solution to the mystery of the treasure, and enough tantalizing clues to suggest the possibility of a sequel.


Tuesday, December 1, 2009

Anna’s World
by Wim Coleman and Pat Perrin
ISBN 978-1-935178-06-4
Chiron Books

Winner of several awards including the Moonbeam Children's Book Awards, and a Reader Views Reviewers Choice Award. 'Anna's World' is a gentle coming of age story, based in a turbulent time in American history. The book combines history and fiction with a powerful message about moral choice.

It is 1845. Fourteen year old Anna Coburn has barely survived an attack of typhoid after a flood that has left many of her neighbours dead. Her country is on the verge of war with Mexico, but no one thinks she should talk about it. Faced with financial trouble, her father sends her to live at a Shaker village.

The austere life expected of her with the Shakers upsets Anna at first - it is a world of forced segregation between sexes, prolonged periods of enforced silence, hard labour and limited contact with the 'World'. Precocious Anna finds life here tedious and oppressive. Yet, she finds friends and kindred spirits too - Sister Zenobia, the charismatic brother Seth, and celebrated author Henry David Thoreau himself. And, despite her many apprehensions, Anna turns out to be more Shaker than she realizes. When she leaves the village to join her father and his new wife in Boston, she finds the outside world both unpleasant and morally conflicted. Newly wealthy, her father expects Anna to lead a life of leisure like other girls her age and social status. Slavery exists as well as apathy for the people of Mexico, being slaughtered in a war with the USA that they are unprepared for. Worse, Anna's father‘s fortune is built on this very war, in partnership with a man who has betrayed the Shakers and threatened her life. Even as Anna struggles to reconcile her life with her beliefs, she is thrown into danger again.

The plot makes a smooth trajectory from history to mystery, weaving in some very powerful observations on moral choices and conviction in one’s beliefs. Anna is a compelling protagonist, sensitive and aware, and through her eyes the reader is offered a child’s eye view of two vastly different worlds. Neither the ‘World’ nor Shaker life is ideal, and the narrative deftly reveals Anna’s growing maturity as she learns to question and negotiate the hurdles she confronts in each. I especially liked the way a real historical figure, Thoreau, was introduced into the story, guiding Anna gently along on the journey she takes in this book toward finding herself and her calling.


There is a telling metaphor about Shaker shoes, which are made identical for either foot. Like Shaker life itself, the shoes do not fit Anna at first, and cause her discomfort. Yet by the end she finds she has grow into them.

*spoiler alert*

A heartwarming and thought provoking book about life, growing up and finding purpose.



Tuesday, October 6, 2009

Feisty fictional females

Cross posted here.

I get into a bookish frenzy over posts like this, this and this. I grew up reading incessantly, and now as a mom, I spend a lot of time looking for books my daughter can enjoy and grow with the way I did.

Like Chox said, there is a great overload of 'girly' girls out there in in the bookiverse . There are the Princess and Tiara Club series, for instance, that are all the rage with the Imp and her gang, but they're full of parties and royal balls and the general good girliness that really set my teeth on edge. While I loved pretty much everything Enid Blyton wrote as a kid, I have to say in hindsight that her girls really did not do much. Amelia Jane and the Naughtiest girl in school are generally chastised for doing anything out of the ambit of things Blyton considered appropriate for girls; the same goes for the various boarding school series she authored.George, the tomboy from the Famous Five, was perhaps the most adventurous girl Blyton ever came up with, and even she usually plays second fiddle to her male cousins and Tommy the dog.

But we've found some spunky girls in books these past few years, including some gems by Indian writers. While they have all been in books marked for older age groups, I've introduced them to the Imp anyway and she has certainly enjoyed them too.

So here's my addition to the lists drawn up by Chox and Ra( I love all the books they mention in their lists, and won't repeat them)

Firstly, Indian authors/ characters...

The three heroines of the stories in Unprincess! by Manjula Padmanabhan. As the title suggests, these are not girly girls, but smart sensible problem solvers. So there's Kavita, who rescues a busload of screaming girls from being eaten by a giant, Sayoni who tames nightmares, and (our favourite) Urmila, a girl so ugly she is used as a weapon of sorts.

Mati, from Journey to the City of Six Gates by Graeme McQueen (ok, a Candadian author, but the book is no tourist's view)- a big favourite at home still. it's a fantasy set in ancient India, and weaves a number of strands into its very smart plot - adventure, gender, evironmentalism. A book like The Sound of Music - perfect on its own, yet leaving you longing for a sequel.

Viks, from The Smile of Vanuvati, by Harini Gopalswami Srinivasan - a nicely paced adventure set on an archaeological dig. This is a book that asks to be made into a film, (Vishal Bharadwaj-ji, are you out there?) it mixes fantasy with history with good old fashioned mystery. The author's next book, Gind, is just out, and looks promising too.

Amie, from Amie and the Chawl of Colour, by Chatura Rao. This one is hard to find in shops, though her next book, Meanwhile, Upriver, is usually available. My review of it here.

Aditi, from the series by Suniti Namjoshi

Izzy Mumu from Bringing back Grandfather and Maya from Maya Running, both by Anjali Banerjee.

The entire cast of The Battle for No. 19, by Ranjit Lal, about a group of girls caught in a house in Delhi during the anti Sikh riots in 1984, and their struggle to stay alive. The story does not shy away from violence and one of the characters actually kills someone, but it is dealt with very well. (The only one in this list I haven't read with the Imp yet)

There is also Chip off the Old Blockhead by Rupa Gulab, and The Summer of Cool by Suchitra Krishnamurthy, which take a humorous look at older girls and their problems. Not on my favourites list by a long shot, but I expect the Imp will enjoy them when she is eight or nine. Also heard recently about a Foxy Four series begun by Subhadra Sengupta.


Some characters by other authors that we have loved..

Fern from Charlotte's Web, by E. B. White

Lucy from the Narnia books by C. S. Lewis. There is all manner of religious and chauvinistic preachiness in them, but all this is spoken in glum adult hindsight. As a child, I was blown away by this land on the other side of a cupboard.

Leslie from The Bridge to Terabithia, by Katherine Paterson. We've actually read this one already, but I think the Imp will probably like revisiting it later. We saw this as a film first, when the Imp was around four, and t got us talking about a lot of complex issues - alienation, bullying, the death of a child. It also gave us the line we consider our motto - The greatest prize in life is the chance to work hard at work worth doing. I actually like the film way more than the book, because of the way it brings the imaginary world of Terabithia and Jess's drawings to life.

The girls from books by Eva Ibbotson , Judy Blume and Jacqueline Wilson.

Jeremy from Slob, by Ellen Potter



And here are some girls I look forward to introducing to the Imp when she is a little older..

The Madcap of the School by Angela Brazil, a very old and very entertaining school story. Link to the free ebook here.

Sally from the Sally Lockhart Mysteries by Philip Pullman

Lyra Belacqua from the His Dark Materials trilogy by Philip Pullman - the sort of books I'd want with me if I'm ever shipwrecked on some deserted island. I haven't really read these out to the Imp, but certainly described the story to her. We remain fascinated by daemons.

Sophie from Sophie's World by Jostein Gaarder.

Smilla from Miss Smilla's Feeling for Snow, by Peter Hoeg

The Brass Monkey from Midnight's Children, by Salman Rushdie

I expect she will read Ayn Rand in her teens like I did, classics like Fountainhead, Atlas Shrugged and We the Living. While these have some tremendous male characters like Howard Roark and John Galt for her to inspired by, I could never stand the female characters Rand wrote - whiny, overly dramatic, masochistic ninnies the lot of them. She did a Blyton too.

Are there other girls out there in the bookiverse you can introduce us to? Do tell.

**************************
More....

Picture books:
Today is MY Day, by Anushka Ravishankar.
The Wacky Witch War, by Ellen Jackson

(Some additions, courtesy Linda Sanders-Wells)
Harriet's Had Enough!, by Elissa Haden
Beatrice Doesn't Want To, by Laura Numeroff
Martha Doesn't Say Sorry, by Samantha Berger
Maggie's Monkeys, by Linda Sanders-Wells

For Older Girls:
Victory Song, by Chitra Divakaruni Banerjee (thanks, Chox!)
Mma Ramotswe from the No 1 Ladies Detective Agency, by Alexander Mccall Smith

Thursday, September 10, 2009

The Magic Thief series by Sarah Prineas


Move over Harry Potter. The next big thing is here. It is a trilogy (so far) entitled ‘ The Magic Thief’ – with two books published.

The protagonist is Conn, a young gutter boy who fights for survival in the poorer part of town. When he attempts to pick a wizard’s pocket, he steals the locus magicalicus, an all powerful stone that wizards use to practice magic. The wizard, Nevery, is amazed that the stone has not killed Conn instantly and therefore takes him on as a servant. But a series of unexpected events ensue and Conn becomes the wizard’s apprentice.

Conn is special because the magic and he share an unexplained bond – leading it to protect him and ensure his safety in the most trying of circumstances. When there is a crisis involving the depleting levels of magic in the city, it is Conn who discovers that the magic is being entrapped and frees it at great personal risk.

Probably because he has been outside the system always and because he relates to the magic differently from the others, Conn finds it easy to believe things that are practically heresy for the wizards of the time. For example, he believes that the magic is a living thing and that the spells the wizards speak are its language.

The books are page turners and score high on both drama and action– street fights, explosions, treachery, evil magicians, powerful dark beings created for the sole purpose of destruction, and more. Serious situations are often laced with humor so even while you wonder how Conn will get out of this one, you cannot help but laugh at his sudden insights.

Although the books are narrated by Conn, it weaves in letters from the characters, mainly Nevery, so that we get an idea of what is going on behind the scenes, unknown to Conn. A clever tactic that does away with the limitations of the first person narrative.

Conn is on a journey to discover himself and the nature of magic. And as the pages turn, he begins to understand things gradually. Journeying with him is the solitary Nevery, who moves out of his own loneliness to forge a relationship with Conn and eventually believe in Conn’s theory of magic. There is Rowan, the Duchess’s daughter, who learns more about the city she will eventually govern, thanks to her friendship with Conn. By forming relationships with each other, the characters evolve through the book, thus allowing us to feel that the book grows not just in terms of events but also dynamically.

In contrast to these characters are the wizards of Wellmet who refuse to understand or accept anything new, who will spend all their time consulting old books rather than facing up to the reality of the age they live in

One of my favorite characters is Benet, Nevery’s bodyguard – a man of few words. When he is not fighting off bad characters, he is baking delicious biscuits. Among Benet’s other unexpected talents are an ability to knit. A well rounded person, wouldn’t you say?

The illustrations at the beginning of each chapter are beautifully drawn. Antonio Javier Caparo’s maps and drawings make real the characters and the geography.

Yes, it is classified as Young Adults fiction and can be predictable in parts. And I would like to see a more extensive use of magic by the characters But Conn has a quirky, irreverent voice that I promise you will enjoy!

Friday, September 4, 2009

The Servants’ Quarters by Lynn Freed

Houghton Mifflin Harcourt
ISBN 978 0 15 11288 6

If the test of the writer’s craft is in making both good and bad characters equally compelling and readable, then Lynn Freed certainly aces this one. Her book, ’The Servants’ Quarters’, has some supremely unlikeable characters, be it the beautiful and aimless narrator, Cressida, her grasping mother or their wealthy benefactor, Mr Harding . And yet, this slim book with its spare and fluid narrative keeps you hooked and eager to know the fate of these frail, flawed people.

Set in an unnamed location in South Africa in the years following World War II, the story follows the relationship between Cressida and Harding over a decade. When they first meet, she is a precocious nine year old with a father in a coma, facing imminent financial ruin, while he is a much older war veteran who has suffered severe disfigurement in combat. For reasons not immediately clear, he begins supporting the family, even moving them to the servants’ quarters of his own house. His mentoring of Cressida seems avuncular (if condescending) at first, but soon begins to take on more predatory overtones that people around them either do not notice or choose not to. For all her reservations and despite knowing about his other affairs, Cressida is slowly drawn toward the man and he becomes the only stable constant in her life, and her most important influence, as things around her change. She blooms into a beautiful teenager, struggling with her silent love for Harding and her yearning to be free of her mother. She is directionless, bored, and casually toys with men who are besotted with her, even as she waits for Harding to notice her and whisk her away to his world of privilege.

As much as this is a love story, it is also a frank examination of the dynamics between rich and poor in the claustrophobic town that Cressida lives in , and that both she and her mother long to be freed from. Intertwined with these stories is a narrative on the devastating consequences of war, be it on Harding who has survived combat and prisoner camps, or the young Jewish Cressida who is haunted for years by nightmares of German soldiers . This shared anguish becomes a bonding force between the two, even as the people around them remain indifferent to it or choose to move on.

If you are looking for a story about a girl finding her wings and flying away, of a love that sets her free ..this isn't it. A bleakness hangs over the narrative, reminiscent of Dickens - the voice of the narrator grows from that of a knowing, free spirited child to that of a more cynical woman, changed forever by Harding's unwholesome attentions.If Harding is drawn to her fierce spirit as a child, he also manages to squash it completely over the years, leaving her an infatuated teenager with little on her mind but him. As a child she has been tormented by the fate of millions of Jews like her in the War, yet as a grownup the apartheid that must surely have existed around her at the time, never once finds mention. Clearly, Cressida's world has shrunk from the boundlessness of her childhood, to the social and emotional distance that separates her from her warped Daddy long legs. The biggest tragedy for me here was that, despite her revulsion for her grasping and opportunistic mother, and despite being offered the chance to go to university and escape this town on her own terms, Cressida nonetheless ends up just like her mother in many ways.

Freed keeps a clear unflinching eye on her characters, charting their lives with prose that is at once precise and nonjudgmental. You may never like Cressida or Harding, you may flinch at the idea of their romance, yet when it does come about, you cannot help hoping they find a golden sunset to walk into. If this is 'Beauty and the Beast' retold, it is also a retelling that captures the beasts within every one of its characters, as they strive to be redeemed by love from the worst in themselves.

Thursday, August 20, 2009

A lot more than just Harry

The Magicians, by Lev Grossman
Viking
Release August 10, 2009

How easy it would be to label this book a Harry Potter for adults. Here are all the familiar ingredients — a gifted but unrecognized boy genius with a rather distant family, a school of magic hidden in plain sight that takes him in, a colourful cast of students and teachers among whom our hero discovers himself and, of course, a fearsome evil that lurks in the wings waiting to strike. There is even a school sport involving magic, a sort of supernatural checkers equivalent to Hogwarts’
quidditch. Yet this book is a lot more— a coming of age tale that examines the pleasures and perils of great powers in the hands of the young , loss of innocence, the strength and fragility of love , and the struggle to come to terms with the disappointment of the real world. And though it fails to deliver on the tremendous promise of the first half, it is nevertheless a must read for the audacity in which it turns the rather familiar themes of the fantasy genre around.


Our hero, Quentin Coldwater, is your average teenager in present day Brooklyn, though brilliant and already possessed of strange powers that no one else seems to notice. He finds solace in a series of books from his childhood, about the magical land of Fillory and the adventures of a band of intrepid children there. Then, a routine interview to an Ivy League school leaves him with a dead body and a mysterious exchange with a woman who proceeds to visit him sporadically through the book, and sets him on the path to Brakebills, a college of magic on the banks of the Hudson that is invisible and out of bounds to all but the chosen.


Rather predictably, Quentin emerges as a mage with promise — he shines in his studies, attracting the attention of his teachers, his seniors and a troubled but gifted young student whom he falls in love with. After the adrenaline rush of college, however, life in the real world is a let down. Supported by a generous trust fund run by Brakebills, Quentin and his friends have neither the need nor a practical way to use their powers in conventional careers. Bored and directionless, they rapidly descend into a hedonistic life of drugs, alcohol and casual sex. Then, one of them discovers that Fillory exists for real, and the friends decide to visit, only to have their complacence about their strength stripped away. What begins as a rather casual picnic quickly descends into a horrific confrontation with the Beast, and a battle for their lives against teeming armies of creatures far removed from anything they have imagined, or are prepared for. Barely escaping with his life, Quentin is forced to deal with loss, heartbreak and the realization that he has been nothing more than a pawn in a far greater game, begun long before his initiation into magic.


The first half of the book is overly long, but crackles with energy — the writing is fast paced, the characters are intriguing. Grossman has a great style of writing, sparse yet insightful, and often very funny . For all their magical powers, Quentin and his friends are still just hormonally charged kids, and Grossman realistically reveals the weaknesses and compulsions that lurk beneath their powers . This book will delight fantasy literature enthusiasts like myself, as it doffs its hat at all the greats — Fillory and its child explorers seem straight out of C S Lewis’ Chronicles of Narnia, a wish fulfilling creature reminiscent of the Questing Beast from the stories of T H White, roams Fillory. A drunk student babbles about that Hogwarts highlight, quidditch, and even Edward Lear finds a reference.


Yet Fillory is not the world of childish innocence that is celebrated in these classics,where the morally upright always triumph. It is, if anything, a dangerous place that does not suffer intruders gladly, especially cocky young mages who think themselves indestructible. Nor is it a place for escape, as the fate of the Beast makes clear. At this juncture, the story dons the garb of a cautionary tale, warning against dabbling with forces you may control but never truly comprehend. Sadly, the narrative of the final two sections of the book succumbs to the same exhaustion that has taken hold of Quentin by now.


Quentin himself is a disappointment as a hero and therefore all the more intriguing. He is talented, yes, but also
complacent, arrogant and , for all his resilence and dedication to his craft, easily led astray by drugs, alcohol and casual sex. After the unnecessarily prolonged build up to the confrontation with the Beast, his contribution to the battle is little more than fainting and getting bitten. That he lives at all is only because of the sacrifice of someone he has flippantly betrayed earlier in the book. Nor is he very heroic after his brush with death . As he slowly recovers and the truth about the Beast and Fillory unravels before him, Quentin beats a retreat,only to be rescued from himself in an exuberant finale that is straight out of the Matrix movies and clearly indicates that Quentin and company have not wisened up after all.


Still, this is seems like the first of a series that , like the Fillory books did for Quentin, may eventually “get you out, really out, of where you were and into something better.”

Sunday, July 26, 2009

Short Girls


Short Girls, by Bich Minh Nguyen
Viking
Release: July 27, 2009
ISBN 978-0-670-02081-2

Van and Linny Luong are as different as it is possible for sisters to get – one, a plain Jane overachiever who seems to have found success in love and her career; the other - pretty , glamorous and directionless. Yet both have secrets – Van’s husband has abruptly ended their picture perfect marriage without explanation; Linny gets involved with a married man just as she has begun establishing a career. Even as both sisters struggle with heartbreak and humiliation, they meet again at their father’s house to help him celebrate his American citizenship. Surrounded by the people and memories of their past, and connected by their shared estrangement from their Vietnamese heritage, the sisters hesitantly reach out to each other. Over the course of a few weeks, they forge a new relationship that helps them resolve their own personal issues.

Bich Minh Nguyen’s (pronounced Bit Min Nwin) first book, Stealing Buddha’s Dinner, was a well received memoir of her childhood and teenage years as a first generation Vietnamese American . Much like that book, this one too is about the search for identity and a sense of belonging, and each character struggles with it in their own ways. If Van is suddenly forced to be her own person after years of living upto the expectations of others, Linny finds herself drawn to the very people and customs she has spent her adult life trying to escape. Both sisters in turn chafe against the filial ties that bind them to their cantankerous father, even as they consider the possibility that he may have been unfaithful to their deceased mother. Mr Luong, after a lifetime of disillusionment with his adopted country, accepts citizenship in a final bid for success as an inventor of gadgets for short people. His obsession with shortness could just as well be his reaction to his own feelings of alienation in America, his appliances a way of being seen, heard and acknowledged in a land he remains foreign to. There is even an interesting subplot involving Van’s work as an immigration lawyer, and the increasing difficulties faced by her clients in post 9/11 America.

Nguyen examines her characters with a keen eye and a gentle touch – there is a calm fluid quality to her prose that kept me riveted to the book. Parallels to Jhumpa Lahiri and Amy Tan are evident, not just in the common themes of inter-generational relationships among immigrants , but also in the attention to the tiny nuances of these complex, layered characters. And much like Tan and Lahiri have done in their work, Nguyen too alternates her focus between Van and Linny’s lives, revisiting their childhood through the lenses of their respective memories.

The plot does head for a rather conventional , crowd-pleasing end, which I felt a little disappointed by, especially where the resolution of Linny’s life is concerned. I was also a little baffled by the graphics of the book cover, which do very little for the very engaging story within.

A subdued yet compelling read, and a finely detailed study of the ties that bind us, confound us and make us who we are.